This will be brief because I took no photos. I wasn't sure what the protocol was even though I saw others taking videos. I presumed that was at the choreographer's request. It is the best way to record steps and sequences. I definitely did not want to distract the dancers.
Think about it. Dances are handed down by observation and repetition. There is no written "score" for what the dancers are doing. You might write down some very basic notes (arabesque, jete or jete battu, etc.) but what are the arms doing, how is the head turned?! Nice that the modern world can observe using film.
Saturday, June 29th, I attended an open rehearsal of the Chamber Dance Project. The rehearsal included 5 dancers and the choreographer, Claudia Schreier. They started creating her new ballet on Monday, June 24th, with daily rehearsals. Claudia explained that they had completed about 12 minutes of a final 15 minute ballet.
Here's Claudia's biography:
Very impressive for someone who looks so young, but at my age, everyone looks young.
The rehearsal began with Claudia and the dancers working on a 12 second segment. For almost an hour we saw them repeat, make small adjustments, and repeat. I was fascinated at how Claudia remained deep in concentration and the dancers were examples of muscle memory in action.
It reminded me of my dance recitals as a child. While waiting in the wings to go on stage, I would be "finger dancing" my routine - or using muscle memory to practice without actually moving. Even today my muscle memory is stronger than oral or visual because I started developing it at the age of 3. That's when I started dance lessons. Best if I write someone's name down if I'm going to remember it. I digress.
While the dancers took a break, Claudia answered questions from those of us in attendance. It was impressive to hear questions from true lovers of dance and to see several very young people in attendance.
When the dancers returned, they repeated what they had just developed and then showed us the total work so far. I look forward to seeing the finished work in performance next season.
A few words about the dancers - all are excellent:
Davit Hovhannisyan is very athletic and approached everything with great concentration.
Luz San Miguel may be tiny, but she is a strong dancer. I watched her feet - she must go through toe shoes at a very fast rate. She has a strong arch.
Francesca Dugarte is graceful and has marvelous extension. It was lovely to see the lifts she and Copper did together.
Cooper Verona went swimming in the same gene pool as Ben Affleck. Similar facial features. He was a terrific partner for Francesca.
Jonathan Jordan must have been a nightmare for any high school teacher he ever had. He cannot stay still. Even when others were working and he was on the sidelines, he was stretching, doing handstands, etc. He is a very powerful and accurate dancer.
My husband is rather new to ballet. He had never been to a dance performance until he met me. This was his first experience up close and in a rehearsal. He came away with a new appreciation for how accurate every step must be. It would be easy to slip and fall or crash into another dancer, etc. So glad he's willing to join me in attending these events.
Sunday, June 30, 2019
Thursday, June 27, 2019
Chamber Dance Project: Dancers & Musicians
Saturday, June 21, 2019, I was fortunate to be invited to join my dear friend, Marianne, at the Harman Hall to see "New Works + " performed by the Chamber Dance Project. I confess I had never heard of this company but apparently it's be around for six years. Note to self - read the dance reviews in the Post!
The musicians were on the stage with the dancers - thus the name of the company I think. Need to confirm that. Love the fact that the Founder & Artistic Director and Principal Musician are female: Diane Coburn Bruning & Claudia Chudacoff. Google them - their bios are very impressive.
The first dance on the program was "Journey" choreographed by Diane. I loved everything about it. The dancers were Luz San Miguel and Davit Hovhannisyan. They were a perfect pairing - at times they became "one" being in motion. I was enthrauled.
I enjoyed the rest of the program. "Rondo Ma Non Proppo" (I have not idea what that means and iTranslate didn't help) but the dancers were around a table and I had flashbacks of every partners meeting I ever attended, even the part where they hid under the table. I had to do that once in Austin when two partners got into a fist fight and I was sitting between them.
Shacara Rogers sang in the "Songs by Cole" and she was terrific. I loved all of the pieces but "Don't Fence Me In" made me think of Tommy Tunes and the tap dancing cowboys in Best Little Whore House in Texas (in case you've forgotten - it's based on a true story and the movie sucked but the stage show was awesome. Saw it in Austin before it got to Broadway. But I digress.)
I am now an official fan of this company and look forward to many future performances.
The musicians were on the stage with the dancers - thus the name of the company I think. Need to confirm that. Love the fact that the Founder & Artistic Director and Principal Musician are female: Diane Coburn Bruning & Claudia Chudacoff. Google them - their bios are very impressive.
The first dance on the program was "Journey" choreographed by Diane. I loved everything about it. The dancers were Luz San Miguel and Davit Hovhannisyan. They were a perfect pairing - at times they became "one" being in motion. I was enthrauled.
I enjoyed the rest of the program. "Rondo Ma Non Proppo" (I have not idea what that means and iTranslate didn't help) but the dancers were around a table and I had flashbacks of every partners meeting I ever attended, even the part where they hid under the table. I had to do that once in Austin when two partners got into a fist fight and I was sitting between them.
Dancers in rehearsal - note the woman's expression on the far right. Priceless!
Shacara Rogers sang in the "Songs by Cole" and she was terrific. I loved all of the pieces but "Don't Fence Me In" made me think of Tommy Tunes and the tap dancing cowboys in Best Little Whore House in Texas (in case you've forgotten - it's based on a true story and the movie sucked but the stage show was awesome. Saw it in Austin before it got to Broadway. But I digress.)
I am now an official fan of this company and look forward to many future performances.
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